Our Suffering, Our Solace
Dante's Way of Boundless Love
This year marks the seventh centenary of the death, in 1321, of the poet Dante Alighieri, who completed the final canticle of his Commedia shortly before he died. It has since been a commonplace, in certain Catholic circles, to say that the hereafter is not as Dante imagined it, as if the poet ever meant to give us a photographic tour rather than the greatest epic of love ever written—of love betrayed, love revived and heartened, and love fulfilled. We have much to learn from him, especially, I think, in his treatment of that realm whose very existence many Christians doubt, while not necessarily doubting its purpose or its action.
I speak of Purgatory. We say that human beings should love—but we hardly know how; our hearts beat feebly, and the sinews of our souls are not used to exercise. Purgatory, as Dante sees it, is where, or we might say how, souls learn to suffer, and thus to love.
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Anthony Esolen is Distinguished Professor of Humanities at Thales College and the author of over 30 books, including Real Music: A Guide to the Timeless Hymns of the Church (Tan, with a CD), Out of the Ashes: Rebuilding American Culture (Regnery), and The Hundredfold: Songs for the Lord (Ignatius). He has also translated Dante’s Divine Comedy (Random House) and, with his wife Debra, publishes the web magazine Word and Song (anthonyesolen.substack.com). He is a senior editor of Touchstone.
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more on literature from the online archives
30.2—March/April 2017
on Reading Don Quixote in Its Original Christian Context by Luis Cortest
32.2—March/April 2019
Misguided Mercy & Dante's Infernal Purgation by Joshua Hren
24.1—January/February 2011
Ruminations on the Monstrous Envy of the Soul-Devouring State by Anthony Esolen
more from the online archives
24.4—July/August 2011
The Cultural Marxists’ Strategic Assault on Religion, Life & Family by Patrick F. Fagan
19.8—October 2006
on the Good Father’s Quiet Desperation by Russell D. Moore
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