Friday, December 5
Revelation 11:1-10: In our reading of the Book of Revelation thus far we have encountered the Danielic expression, “a time, times, and half a time” (Daniel 12:7). If we substitute the word “year” for “time,” the meaning of the expression is clear: “three and a half years,” or forty-two months, or (following the Hebrew calendar of thirty days per month) twelve-hundred and sixty days. In the Book of Daniel this was the length of time during which the Jerusalem temple was violated by Antiochus Epiphanes IV (Daniel 9:27).
Similarly here in Revelation it is the symbolic length of time of severe trial and the apparent triumph of evil (verses 2-3; 12:6; 13:5). John’s contemporaries must also have been struck by the fact that the Roman siege of Jerusalem also lasted three and a half years, from A.D. 67-70. In the present chapter this length of time refers to the persecution of the Christian Church, of which Jerusalem’s temple was a type and foreshadowing.
There is found within the Christian Church, however, an inner court, as it were, a deep interior dimension that the forces of evil cannot trample. This inviolability is conferred by being sealed with the sign of the living God. It asserts that believers are not to fear those who can kill the body but can do no more, because there yet remains an inner court that is off-limits to the invader and defiler. This is the inner court of which John is told to take the measure (cf. Ezekiel 40:1-4; Zechariah 2:1-2), a measuring that he will narrate later (21:15-17).
The literary background of John’s vision of the two witnesses is Zechariah 4:1-3,11-14, where the prophet has in mind the anointed ruler Zerubbabel and the anointed priest Jeshua, the two men who preserved the worship in God’s house that they rebuilt between 520 and 516. Those two figures represented royalty (for Zerubbabel was a descendent of David) and priesthood (for Jeshua was a descendent of Aaron), which are two essential aspects of the life in Christ (cf. Revelation 1:6; 5:10).
“Two” witnesses are needed, of course, this being the minimum number required in order “to make the case” (Deuteronomy 19:15). But the two witnesses in this chapter of Revelation are the heirs, not only of Zerubbabel and Jeshua, but also of Moses and Elijah. It was the first of these who afflicted Egypt with plagues, and the second who closed up heaven for three and a half years (cf. Luke 4:25; James 5:17). This is John’s way of asserting that the Christian Church, in her royal priesthood, continues also the prophetic war against false gods. She will destroy God’s enemies by fire (verse 5), as did Moses (Numbers 16:35) and Elijah (2 Kings 1:9-12).
When the monster from the abyss kills these two servants of God (verse 7), the forces of evil seem to have triumphed (verse 10), but they will be carried up to heaven, again like Moses (Josephus, Antiquities 4.8.48) and Elijah (2 Kings 2:11), because the victorious Lamb has the final word.
Saturday, December 6
Revelation 11:11-19: With respect to the prophets Moses and Elijah, whose outlines appear in this vision as symbolic representations, we know that the “return” of both men was expected by John’s contemporaries (cf. John 1:21; Mark 6:15; 8:20). Both men did “return” at our Lord’s transfiguration; indeed, in Mark 9 and Matthew 17, the question of the return of Elijah is precisely the point of the conversation that immediately follows the transfiguration.
When the two witnesses ascend into heaven (verse 12), one tenth of the city falls (verse 13), the city in question still being “Sodom and Egypt, where also our Lord was crucified” (verse 8). This one tenth of the city, calculated as seven thousand souls, is literally a tithe of the city’s population. Thus, the number of those who perish is a sort of direct reversal of the seven thousand who were saved in Elijah’s remnant (1 Kings 19:18).
Thus ends the second woe, which is the sixth trumpet (verse 14). Those first six trumpets were warning blasts, whereas the seventh will be a kind of fanfare (verse 15).
In the hymn that follows the seventh trumpet (verses 17-18), we should especially observe that God’s wrath is salvific, a matter at which believers will rejoice, because God’s reign is established by His wrath. God is not a neutral observer of history. On the contrary, He is deeply biased on the side of the poor and oppressed. Some people in this world are poor and oppressed, because other people in this world worship false gods. In the biblical view, poverty and oppression are the results of idolatry, and this provokes God’s wrath. His wrath is against the false gods and their servants, and believers are summoned to rejoice in the victory of that wrath, because it is the victory of freedom over slavery, justice over injustice, and Moses over Pharaoh. The wrath of God is the last thing in the world that Christians should be afraid of, for the wrath of God is on their side (Matthew 23:35-36).
As in the ancient procession around Jericho, the Ark of the Covenant appears after the seventh trumpet (verse 19).
Sunday, December 7
Revelation 12:1-17: Although it is surely no myth, this awesome vision bears a more than slight resemblance to certain themes in ancient mythology. For example, there was the very primitive solar myth concerning the powers of darkness, which appear to triumph over the sun and to reign over the time of night, defying the promised sun. This darkness, which has usurped the reign of the sun, attempts to devour the sun in its very birth; to kill the sun, that is to say, as it emerges from its mother’s womb.
In at least two versions of this ancient myth, in fact, the darkness is portrayed as a dragon-like snake. Thus, Egypt had its myth of the dragon Set, who pursued Isis while she carried the sun god Horus in her womb. His plan was to devour Horus at his birth. It is further curious that Isis, like the Woman in Revelation 12 (verse 14), is portrayed in Egyptian art (on an elaborate door in the King Tut collection, for instance) with wings, so that she could flee from Set. Similarly, Greek mythology described the dragon-snake Python as pursuing the goddess Leto, who is pregnant with the sun god Apollo. In both cases, the little child escapes and later returns to destroy the usurping serpent. The similarities of both of these myths to the vision in Revelation 12 are rather striking. Both myths also touch on the subject of the illegitimate “usurper,” a theme Matthew develops in his story of Herod seeking to destroy the true King, Jesus, at His very birth.
John’s vision takes place in the vault of heaven, where the Woman is described as a “sign,” an image reminiscent of Isaiah 7:10-11. Indeed, John seems to be saying that in the birth of Jesus Isaiah’s prophecy of virgin birth is fulfilled (cf. also Isaiah 26:17). Like Christ Himself (Revelation 1:16), this Woman is clothed with the sun. All Christians know the virginity of the mother of Jesus. Is this Woman being represented, therefore, as the zodiacal sign of Virgo? It would seem so, because, like the sign for Virgo, there are twelve stars involved. In the southern hemisphere the six stars crowning Virgo are sigma, chi, iota, pi, nu, and beta. In the northern hemisphere they are theta, star 60, delta, star 93, second-magnitude beta, and omicron.
Nonetheless, this is not simply a description of Christmas. The Woman in the vision is the mother of Jesus, but she is more; she is also the Church, which gives birth to Christ in the world. The sufferings and persecution of the Church are described as birth pangs (cf. John 16:21-22).
The serpent, of course, is the ancient dragon that is the enemy of our race, the one who seduced the first woman in the garden. Now he must face the new Woman, who is more than a match for him. His seven heads put one in mind of the ancient mythological dragon Hydra, well known from a Canaanite narrative found in the excavations at Ras Shamra and from the traditional story of the Labors of Hercules. In Revelation it is clearly Satan, the Accuser (verse 10) from the Book of Job and from Zechariah 3.
Michael appears right out of Daniel, of course; in the New Testament he spoken of only here and in the Epistle of Jude.
Monday, December 8
Revelation 13:1-10: Up till now we have seen two beasts, one of them from the underworld (Chapter 11) and the other from the heavens (Chapters 12). Two more beasts will appear in the present chapter, one of them from the sea (verse 1), who also has seven heads and ten horns (cf. 12:3), and one from the land (verse 11).
The present reading is concerned solely with the first of these two latter beasts. Like the beast in Daniel 7, he is a composite of several menacing things (verse 2). He derives his “authority” from the Dragon (verses 2,4) whom we considered in Chapter 12. That is to say, this beast shares in the power of Satan.
With respect to his ten horns, two remarks are in order: First, in Daniel 7, the obvious literary background here, the ten horns seem to refer to the ten Seleucid successors of Alexander the Great. Second, here in Revelation 13 they seem to refer to Roman emperors. If we leave out Otho, who reigned over the Roman Empire for only three months, there were, in fact, exactly ten Roman emperors up to Domition, who was responsible for the persecution of A.D. 95: Augustus, Tiberius, Caligula, Claudius, Nero, Galba, Vitellius, Vespasian, Titus, and Domition. Almost all of these men were recognized as divine, some of them even before their deaths. Words such as theos and divus appear on their coins. This figure, therefore, symbolizes the idolatrous pretensions of the Roman Empire, which John ascribes to Satan. Those pretensions claim an unquestioned and absolute allegiance over the human spirit.
This beast of the Roman Empire combines all the worst features of all the earlier empires: Daniel’s winged lion of Babylon, the bear of the Medes, the Persian leopard, and the ten-headed hydra of the Greeks. One may note that John lists these components in the reverse order of Daniel.
Far more than ourselves, the early Christians were aware of the power of evil in the world. They spoke of it frequently in personified forms that are difficult to interpret literally. And the Christians described their relationship to this evil as one of warfare. The terms of the conflict described here in Revelation 13 may be compared to the description in 2 Thessalonians 2:3-12. In each case there is a widespread deception of people, their enslavement and destruction by means of lies. In both of these texts a pronounced contrast is drawn between the worldlings, who are deceived and will perish, and the faithful, who will be saved by reason of their fidelity to Jesus.
Tuesday, December 9
Revelation 13:11-18: Now we come to the beast arising out of the earth, a parody of Christ in the sense that he faintly resembles a lamb (verse 11). Performing great signs and bringing fire down from heaven (verse 13), he is also a parody of the two witnesses in Chapter 11; in this respect he resembles the magicians of Egypt. The Gospels, we recall, have several warnings against false christs and false prophets, who will work wonders.
Furthermore, in a parody of the sign of the living God in Chapter 7, he has his own version of the seal (verse 16). Those without the mark of the beast must suffer economic sanctions (verse 17). Political idolatry, in other words, has an important mercantile dimension, to which the Book of Revelation will return in later chapters. The adoration of the statue (verse 15), of course, is reminiscent of the fiery furnace story in Daniel.
Perhaps the easiest part of this text to discern is the meaning of the number of the beast. Indeed, John tells us that anyone with intelligence can do it (verse 18). For all that, the symbolism of the number is complex. A first mistake in attempting to read this number is that of imagining it as written out in Arabic numerals. This procedure should be dismissed immediately, because our modern numeral system, derived from the Arabs, was unknown to the writers of the Bible. In contrast, the numeral systems employed in the Bible are based entirely on the alphabet, whether Hebrew or Greek. Because of this, numbers could also stand for words, and a number of codes became possible. One of these, known as gematria, consisted in taking the prescribed numerical value of the various letters (aleph meaning one, beth meaning two, and so forth) in a name and then working little puzzles with them. There are several examples of this in Jewish works, such as the Talmud, and in early Christian writings, such as The Letter of Pseudo-Barnabas. There are also two examples of it in the Sibylline Oracles and two more in the graffiti in the excavations of Pompey.
In John’s case, his puzzle runs backwards. He gives us a number and expects us to figure out what word or name the number stands for. Obviously there are many possible combinations of letters that will add up to the value of six hundred and sixty-six. Interpreters of the Sacred Text, however, have been most partial to the Hebrew form of the name, “Nero Caesar,” which does, in fact, add up to exactly the number six hundred and sixty-six. There are other possibilities, but this explanation seems the most compelling. The number was thus a reference to Nero, the first Roman emperor who ever undertook the persecution of the Christian Church.
Wednesday, December 10
Revelation 14:1-13: Now we come again to the sealing of the followers of Christ, first spoken of in Chapter 7. With respect to the “following” of the Lamb (verse 4), of course, the image is found also in the Gospels. When Jesus calls on His disciples to “follow” Him, the context is the Cross. The Lamb to be followed is the Lamb of sacrifice (Mark 8:34-38; John 21:18-19).
There are three angels in this text, representing three dimensions of the final age, the proclamation of the Gospel, the judgment of God on the city of man, and the eternal, wrathful exclusion of idolatry. First, the angel of the everlasting Gospel (verse 6), whose mandate, like the mandate at the end of Matthew, is directed to all nations. These are all called to repentance and conversion to the true God (verse 7; cf. Acts 14:15). Remember that in John’s view, the judgment of God is now. The judgment of God takes place in the very proclamation of the Good News (cf. John 3:19; 18:37). The Gospel here is called eternal; it is the proclamation of the eternal mind of God, His eternal purpose of salvation, the “Mystery” of which the Epistle to the Ephesians speaks.
Second, the angel who proclaims the fall of Babylon (verse 8). This, too, pertains to the Gospel. In biblical thought, the fall of Babylon means that the true Israelites can now go home, because the exile is over. Babylon is whatever enslaves and alienates the people of God. Babylon is the city of false gods, the city that dares to raise up its tower against the face of God; it is the monument to man’s achievements without God. Babylon is the city where men do not understand one another, because each man, as it were, speaks his own private meaning. The downfall of this city certainly is Good News, which is the meaning of the word Gospel. Christians are called to leave Babylon (18:4).
Third, the angel who proclaim the eschatological outpouring of God’s wrath, to the exclusion of all idolatry (verses 9-11). This text is important because, like certain sayings of our Lord in the Gospels, it insists on the eternity of damnation. Unlike many modern men, the Bible believes that the definitive choice of evil lasts forever.
On the image of harvest as judgment (verses 14-20), see Joel 4:13-14 (3:9-14). The Son of Man on the cloud is, of course, from the Book of Daniel, an image that Jesus interprets of Himself in each of the Synoptic Gospels.
Unlike ourselves, men in antiquity actually experienced harvesting with a sickle and treading grapes in a vat, both actions characterized by a distinct measure of violence. Even these relatively benign images of harvest season, therefore, strongly suggest that the “end of time” will be more than slightly daunting. It should not surprise us that the harvesting with a sickle and the trampling of a wine vat are associated with the feeling of God’s definitive wrath.
The association of anger with the treading of the grapes was hardly new (cf. Isaiah 63:1-6), and it will appear again (Revelation 19:13-15). The grape harvest arrives in September, as the seasonal period of growth comes to an end. It is natural to think of death at this time of the year.
The amount of blood in this text (verse 20) is rather dramatic. The Greek stadion being six hundred and seven feet, sixteen stadia is about two miles. A horse’s bridle is about five feet off the ground. Thus we are dealing with a great deal of blood. This must be one of the most unpleasant passages in the New Testament.
The rising pool of blood becomes a kind of Red Sea. Indeed, the following chapter will be full of imagery from the Book of Exodus: plagues, the cloud of the divine presence, the tent of testimony, Moses, the crossing of the Red Sea, and the destruction of the pursuers.
Thursday, December 11
Revelation 15:1-8: This shortest chapter in the Book of Revelation introduces the imagery of the seven bowls of plagues, which will be poured out in the next chapter. The ocean of blood, with which the previous chapter ended, has now become a kind of Red Sea (verses 1-3). This image thus inserts the theme of the Exodus. This theme itself, of course, is appropriate to the outpouring of the plagues.
Other components of the Exodus theme likewise appear in this chapter: the Song of Moses, the cloud of the divine presence, the tent of testimony, and so forth. The “sea of glass” (verse 2) we have already considered in Chapter 4. Beside this sea stand God’s people who have passed over it in the definitive Exodus. They are musicians, harpists to be exact, identical with the one hundred and forty-four thousand whom we saw with the Lamb in the previous chapter; there was harp music in that scene too. These elect have “overcome,” the very thing to which John had called the seven churches in Chapters 2-3. They are now beyond the power of the beast to harm them.
John sees in heaven the tent of testimony from the Book of Exodus, the traveling tent of the divine presence that Moses and the Israelites carried through the desert. This tent, however, is “heavenly,” which means that it is the original model, the very pattern that Moses copied (Exodus 25:9,40; Acts 7:44; Hebrews 8:5). Since the tent is a place of worship, we are not surprised that John sees seven angels coming out of it, clothed in priestly vestments (verse 6; cf. Exodus 28:4; 39:29), very much as Jesus was clothed in the inaugural vision (Revelation 1:12-13).
The tent itself is full of the cloud of the divine presence, the very cloud that led the Israelites through the desert of old. When that tent was dedicated in the desert, the divine cloud took up residence within it (Exodus 40:34-38). That cloud later took residence in Solomon’s temple (1 Kings 8:1-12), where Isaiah beheld it (6:1-4). In prophetic vision, Ezekiel saw that cloud return to the second temple, built in 520-516 (Ezekiel 44:4).
The hymn in verses 3-4 should be compared with Solomon’s prayer at the dedication of the temple, as recorded in 2 Chronicles 6:14-42. Both prayers, to begin with, are offered “at the sea” (verse 2; 2 Chronicles 6:12-13). Both prayers thank God for His mighty works, invoke His righteous judgments, and request the conversion of all the nations. Finally, in response to each prayer, fire comes down from heaven (verses 5-8; 2 Chronicles 7:1-2).
Friday, December 12
Revelation 16:1-9: Three of these four plagues are right out of the arsenal of Moses. Sores on the flesh of the bad guys (verse 2) were his sixth plague. As in the account in Exodus, the intent of this plague is that the idolaters should repent, but in neither case does it happen. The second and third plagues here (verses 3-4), the changing of water into blood, are identical to Moses’ first plague, which was regarded, we recall, as a rather easy plague, in the sense that even Pharaoh’s magicians could do it (Exodus 7:22).
Here in Revelation, these two plagues are related to the great bloodshed of persecution caused by the enemies of God’s people (verse 6; 16:5-7). This crying out of the altar puts one in mind of the earlier scene where the souls (that is, the blood) of the martyrs cried from the altar (6:9-10). In that earlier scene the saints prayed for justice to be done on earth, for the righteousness of God to be vindicated in history. Now, in the present instance, the voice from the altar praises God that such justice has been done, that God’s fidelity has been made manifest.
The fourth plague does not appear in Exodus at all; Moses had been able to blot out the sunlight, but not even he was able to make the sun hotter. Even this plague, nonetheless, does not bring the idolaters to repentance (verse 9).
The final three bowls of plagues (verses 10-21) stand parallel to two other biblical texts: the plagues of Egypt in the Book of Exodus and the trumpets from earlier in the Book of Revelation.
The darkness of the fifth bowl (verse 10) corresponds to the ninth plague in the Book of Exodus (10:21-29). The sixth bowl, the drying up of the Euphrates, includes the proliferation of frogs, which corresponds to Moses’ second plague against Pharaoh (Exodus 8:2-6). The hailstones that accompany the seventh bowl (verse 21) are parallel to Moses’ seventh plague against Egypt (Exodus 9:13-26).
There are also parallels between these three bowls of plagues and the three final trumpets that appeared earlier in Revelation. Thus, the fifth bowl (verse 10), like the fifth trumpet (9:1-2) causes darkness over the whole earth. The sixth trumpet brought forth an invading army from east of the Euphrates (9:12-19); so does the sixth bowl (verse 12). Finally, at both the seventh trumpet and the seventh bowl there are bolts of lightning, peals of thunder, and an earthquake (verse 18; 11:19).
The sixth bowl of plagues here is a composite. There is, first of all, a drying up of the Euphrates, so that the Parthian armies can march westward. This puts one in mind of the drying up of the Jordan, so that the Israelites could move west against the Canaanites. Because of the great difference between the two instances, however, this symbolism should be read as an example of theological “inversion” (in the sense used by John Steinbeck, who often employs biblical symbols in this way), so that the identical image is used for both good and bad meanings. With respect to the drying up of the Euphrates, John knew a precedent in Jeremiah (50:38), who spoke of the drying up of the waters of Babylon, to facilitate its capture by the Persians. Indeed, John will have a great deal to say about the fall of Babylon.
Verse 15 contains a well known saying of Jesus, in which He compares His final return to the coming of a thief in the dead of night. This dominical saying is preserved in the Gospels of Matthew (24:43) and Luke (12:39).
The final battle takes place at Armageddon (verse 16), which literally is “hill of Megiddo.” Megiddo sits on the edge of the Plain of Esdralon and was in antiquity the site of two famous battles, in each of which a king was killed. In Judges 5 the Canaanite king Sisera was slain there, and 2 Kings 23 describes the death of Josiah there in 609. In John’s mind, Armageddon symbolizes disaster, catastrophe, and violence.