Edgar Allen Poe, in his penetrating review of Bleak House, remarked that no reader can comprehend the real wealth of that work in a single reading. Numerous shades of nuance, Poe explained, and dozens of subtle connections were woven so deeply into the fabric of Bleak House that their presence was not even suspected on a first reading.
On a second reading, however, the now enlightened reader knows what to look for; he will perceive treasures that eluded his attention the first time through. Innumerable lines will shine now with a new luster. Thus, concluded Poe, fu . . .
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